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House ofof David seasonseason two:two: BiblicallyBiblically epic!epic!
I cannot remember a recent time when a series made me so glued to the screen as when Saul physically threw his wife out of the palace.
I cannot remember a recent time when a series made me so glued to the screen as when Saul physically threw his wife out of the palace.
One thing in particular stood out to me as I closed this latest episode: the impeccable use of characterisation. No character is introduced who feels pointless or out of place.
The action of the episode was nicely rounded off as, barely alive, the Jackal crawls into a shed, only to be captured and bound by a mysterious man with unknown intentions.
Firstly, going into this TV show phenomenon, I expected cheesy romance, steamy sex scenes, and a lot of melodramatic moments for shock value.
Throughout the episode, the use of modern electronic classical music is a masterclass in creating a pervasive feeling of unease as we follow the Jackal.
Yet another stunning action sequence closes out the episode, just as The Jackal’s codename is found in Norman’s phone.